S’ensevelir
En collaboration avec Léna Mill-Reuillard, dans le cadre de la série Géographies: recomposées, de la commissaire Catherine Barnabé
« Actions are realized in a wintery landscape; it takes two to carry them out. These actions seem simple at first glance: holding, walking, handing, digging, yet they are constrained by the forces of nature, which tear, cover, uncover, offer a form of resistance. Bodies are present and bodies are absent; they leave traces, they briefly mark space, but time follows its course and they disappear. Space is evoked through the form used, repeated, revealed. This surface is also the space where the action takes place, a space for the body; the surface of paper, the surface of snow, these are potentially renewable spaces. The geography of the location is both neutral and significant, outside ordinary life and slightly out of time.» – Catherine Barnabé, commissaire
Article paru dans La Presse
Article paru dans Le Devoir
Documentation : Guy L'Heureux
Maison des Arts de Laval, Québec, mai 2017En collaboration avec Léna Mill-Reuillard, dans le cadre de la série Géographies: recomposées, de la commissaire Catherine Barnabé
« Actions are realized in a wintery landscape; it takes two to carry them out. These actions seem simple at first glance: holding, walking, handing, digging, yet they are constrained by the forces of nature, which tear, cover, uncover, offer a form of resistance. Bodies are present and bodies are absent; they leave traces, they briefly mark space, but time follows its course and they disappear. Space is evoked through the form used, repeated, revealed. This surface is also the space where the action takes place, a space for the body; the surface of paper, the surface of snow, these are potentially renewable spaces. The geography of the location is both neutral and significant, outside ordinary life and slightly out of time.» – Catherine Barnabé, commissaire
Article paru dans La Presse
Article paru dans Le Devoir